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MACBETH, Giuseppe Verdi
Nouvelle production au Teatro Alla Scala avec Anna Netrebko en tête d’affiche !
LA BOHÈME, Giacomo Puccini
Running Time: 3 hours 40 minutes intermissions included
New Teatro alla Scala production
Dates: 4, 7, 10, 12, 14 novembre 2020
Conductor: Paolo Carignani
Staging and sets: Franco Zeffirelli
Teatro alla Scala Chorus, Orchestra and Ballet Company
CAST
Rodolfo: Giorgio Berrugi / Charles Castronovo
Schaunard : Mattia Olivieri / Giulio Mastrototaro
Benoit: Costantino Finucci
Mimì: Marina Rebeka / Angel Blue
Marcello: George Petean / Simone Piazzola
Colline: Alessandro Spina / Fabrizio Beggi
Alcindoro: Alfonso Antoniozzi
Musetta: Aida Garifullina / Federica Guida
Parpignol: Paolo Antonio Nevi*
Sergente dei doganieri : Giorgio Lomiseli*
Doganiere: Toni Nežić*
Venditore ambulante: Brayan Avila Martinez*
*Allievi Solisti Accademia Teatro alla Scala
AIDA, Giuseppe Verdi (version concert)
Running Time: around 3 hours 30 minutes intermissions included
Dates : 6, 9, 12, 15 octobre 2020
Conductor : Riccardo Chailly
Teatro alla Scala Chorus and Orchestra
CAST
Il Re: Roberto Tagliavini
Amneris: Anita Rachvelishvili
Aida: Saioa Hernández
Radamès: Francesco Meli
Ramfis: Dario Russo
Amonasro: Luca Salsi
Messaggero: Francesco Pittari
Sacerdotessa: Chiara Isotton
LA TRAVIATA, Giuseppe Verdi (version concert)
Victim of a failing distribution, the work encountered, during its creation, the misunderstanding of the public, baffled by a romantic drama intimate, deprived of the traditional heroic distance and served by an unusual musical realism. But, recognised at its fair value from the following representations, La Traviata became in the twentieth century one of the most performed works in operas around the world.
Running Time: 3 hours intermissions included
Teatro alla Scala production
Dates : 15, 18, 22, 25, 28 septembre 2020
Conductors: Zubin Mehta
Teatro alla Scala Chorus, orchestra and Ballet Company
CAST
Violetta Valéry: Marina Rebeka
Flora Bervoix: Chiara Isotton
Annina: Francesca Pia Vitale*
Alfredo Germont: Atalla Ayan
Giorgio Germont: Leo Nucci
Gastone: Carlo Bosi
Marchese d'Obigny: Fabrizio Beggi
Giuseppe: Brayan Avila Martinez*
Commissionario/Domestico: Ernesto Panariello
* Soloists students of the Teatro alla Scala Academy
UN BALLO IN MASCHERA, Giuseppe Verdi
The plot concerns the assassination in 1792 of King Gustav III of Sweden who was killed as the result of a political conspiracy against him. He was shot while attending a masked ball and died of his wounds thirteen days later.
FEDORA, Umberto Giordano
In 1889, Umberto Giordano saw Sardou's play Fédora at the Teatro Bellini di Napoli, with Sarah Bernhardt in the title role. He immediately asked Sardou for permission to base an opera on the play, and Sardou initially refused because, at the time, Giordano was a relatively unknown composer.
L'AMORE DEI TRE RE, Italo Montemezzi
Archibaldo, the blind king, conquered the kingdom of Altura forty years before the opera begins. After forty years, the Alturan people openly object to the reign of the Germanic Archibaldo. Archibaldo recounts his memories of the thrill of conquest, and his reminiscence equates the invasion of Italy to the winning of a beautiful woman.
TANNHÄUSER, Richard Wagner
Based on two German legends: Tannhäuser, the legendary medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centers on the struggle between sacred and profane love, and redemption through love, a theme running through much of Wagner's mature work.
PELLÉAS ET MÉLISANDE, Claude Debussy
The only opera Debussy ever completed, it is considered a landmark in 20th-century music.
SALOME, Richard Strauss
The opera is famous (at the time of its premiere, infamous) for its "Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos.
IL TURCO IN ITALIA, Gioachino Rossini
An opera buffa, it was influenced by Mozart's Così fan tutte, which was performed at the same theatre shortly before Rossini's work. The strangely harmonized overture, though infrequently recorded, is one of the best examples of Rossini's characteristic style.
IL TROVATORE, Giuseppe Verdi
It was Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident.”
ROMÉO ET JULIETTE, Charles Gounod
Roméo et Juliette is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré, based on Romeo and Juliet by William Shakespeare. This opera is notable for the series of four duets for the main characters and the waltz song "Je veux vivre" for the soprano.
TOSCA, Giacomo Puccini
La Tosca, is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder and suicide, as well as some of Puccini's best-known lyrical arias.